How Imax Won the Movies (NYM)
It’s too expensive, probably not the real thing, and increasingly the only reliable theater experience.
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Writer for New York magazine. Creator of the podcast Exit Scam.
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It’s too expensive, probably not the real thing, and increasingly the only reliable theater experience.
Jesse Genet’s time was scarce. Then she hired a team of AI assistants.
What if every viral song, meme, movie, and celebrity drama in your feed was a stealth marketing campaign?
The ultrarich divulge how money bent their reality (and whether they even noticed).
Did Stanley Kubrick warn us about Jeffrey Epstein?
It’s not just screens or COVID or too-strong weed. Maybe what’s dumbing us down is unfettered access to each other.
Decades of science have not found a way to regrow lost hair. Until, maybe, now.
For years, studios found it cheaper to shoot elsewhere. And now that the industry has collapsed, elsewhere is the only place they’ll shoot.
They’re consistent, convenient, tasty — and at a time of recalls and outbreaks, one of the riskiest things you could eat.
How a former nightclub impresario and reptile enthusiast became one of today’s top documentary filmmakers.
The most overrated metric in movies is erratic, reductive, and easily hacked — and yet has Hollywood in its grip.
TV’s streaming model is broken. It’s also not going away. For Hollywood, figuring that out will be a horror show.
Multiplexes are failing at their most basic function: delivering a bright, sharp image.
Getting to the bottom of a COVID-era real estate mystery.
The actor thinks audiences just want to be surprised. He’d do (almost) anything to oblige.
The mysterious death of bitcoin baron Gerald Cotten — and the $250 million that vanished with him.
An unusual visit to New York magazine’s offices.
On the country’s legacy of white supremacy, Obama, and why he doesn’t worry about a Transformers future.
On 40 years of Saturday Night Live.